MOVIE REVIEW: Coriolanus

‘A place calling itself Rome’ looks a lot more like war-torn Serbia in Coriolanus, Ralph Fiennes’ version of the politically charged Shakespeare tragedy. Not as much an update of the play as an application of the script to a more relatable era (with a treatment by Gladiator and Hugo screenwriter John Logan), the film replaces the archaic battle implements of ancient Rome with the automatic weapons and Kevlar of modern warfare. Initially bearing a visual resemblance to something like Green Zone, with which it shares cinematographer Barry Ackroyd (The Hurt Locker), Coriolanus is a film altogether different in its mixture of elements. But the politics and language, for all intents and purposes, remain the same. Continue reading “MOVIE REVIEW: Coriolanus”